Monday, 21 November 2016

Assassin's Creed analysis

Image result for assassin's creed film poster Image result for assassin's creed film poster

Assassins Creed is an action, adventure movie based off the well known video game franchise. The fact that the movie is an action, adventure movie is displayed extremely explicitly through both the trailer and film poster. 

Visual Codes;

In these particular posters you cannot see the main characters face, but as he is the main and only character on the poster you can tell he is an important part of the movie and the movie revolves around him and 'his journey.' 

The characters body language is exactly the same in both poster, the first image looks like its before the second image as the first one looks like he is about to jump and the second one is of him jumping, this particular act could show bravery in this case. 

His physical appearance isn't very clear in the poster but his clothing is very expressive, the hooded cape cover most of his body to create a disguise and mystery. The colour of the cape looks black and red, red often implies danger and death and black implies mystery which seems to fit perfectly with the whole plot of the movie. 

The location can clearly be seen in the first poster, it looks like a city somewhere is europe. There looks like there are lots of places of worship in the poster which is a binary opposite to the plot of the story as churches and places of worship are associated with purity whereas the movie is about an assassin which is far from pure. 

The title of the movie is fairly small in comparison to the main image and so is the name of the main character, but the name goes all the way across the top of the poster, also his name is the only name there so clearly the movie only revolves around him and his role. 

In the first poster, the sky looks extremely cloudy and dark, like there is going to be a storm, whereas in the second poster once he jumps the sky still looks dark but the sun is creeping through the clouds which could imply freedom. 
  

Monday, 7 November 2016

Narrative Theory

Claude Levi-Strauss 

His theory was that the narrative in films always have a binary opposition. For example, in Western films, The Cowboys are seen as domestic, Christian and inside society, whereas, The Native Americans are seen as strong, savage and outside of society. This theory is relevant for almost every film but especially works in; Superhero movies, Western movies and Fairytales. 

Vladimir Propp 

His theory was that there is always character roles in fairytales but this also applies to many films as well, the major roles are;

  • The Hero (seeks something) 
  • The Villain (opposes the hero) 
  • The Donor (helps the hero by providing a magic object) 
  • The Dispatcher (sends the hero on his way) 
  • The False Hero (falsely assuming the role of hero) 
  • The Helper (gives support to the hero) 
  • The Princess (the reward for the hero, but also needs protection from the villain) 
  • Her Father


Levi-Strauss' theory applies extremely well in The Amazing Spider-Man.
The protagonist in the movie is Peter Parker (Spider-Man) whilst the antagonist is Dr Curtis Connors (mutated lizard man). At the beginning they were both protagonists but as time went on Dr Curtis Connors got mutated and turned into the lizard man who tried to destroy the city.

Image result for the amazing spider man

Vladimir Propp's theory applies to various different movies. One that partially sticks out to me is Frozen.

  • The Hero - Anna 
  • The Villain - Elsa (could also be considered a protagonists towards the end) 
  • The Dispatcher and The Helper - Kristoff 
  • The False Hero - Hans 
  • The Princess - Anna and Elsa 
  • Her Father. 
Image result for frozen